King, but credit Jimi Hendrix and his version of Red House with securing it a spot in the Blues Hall of Fame. Depending on your current level of ability, you may or may not find these licks super-easy, but with a bit of practice they should provide a relatively achievable way of getting a bit of speed into your playing. © This compact shape, known colloquially as the “Albert King Box” - because King virtually lived there after he signed with Stax/Volt Records in 1966 - is an especially finger-friendly position. You’ll find that doing this will strengthen your improvising skills and help to create your own unique sound on the guitar. In beat two you have to make use of a triplet rhythm so you play three notes here. Combining binary and ternary rhythms is one of the skills that will enrich your phrasing skills remarkably. If you listen to blues music you will notice that a lot of classic blues licks return all the time, not as separate licks but they are combined into one bigger lick. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. 249 8 94% Approve. Most of them are simple, and easy to use in a wide range of musical situations – rock, blues, alternative, country, you name it. Initially this transfer happened by ear but nowadays a lot of people rely on tablature. (Image credit: Michael Ochs Archives/Getty Images), John Petrucci: Recording Guitar is Like Trimming Your Beard, Tempered Tonewoods and Meticulous, Minimalist Builds Give the Novo Solus F1 and M1 a Winning Vintage Character, Keith Richards Discusses the Joys of Blending Lead and Rhythm Playing, His Love of Chuck Berry, and More in 1977 GP Interview, Gibson Les Paul Traditional Pro V & Pro V Satin Review, Keeley Unveils New Daniel Donato Cosmic Country Phaser Pedal. Melodic Style Blues Licks quantity. Let’s check ’em out! 12 Bar Blues Chords & Scales for Guitar The 12 bar blues is a 12 bar long chord progression that solo blues musicians can easily improvise over the top of because the chord progression is familiar to them. How To Play Blues Guitar Licks Over Any Blues Chord. For example, playing these licks in a minor blues setting will end very bad. Get the latest news, reviews and product advice straight to your inbox. They're all very very common licks that you'll find most blues players using, so you want to 'put these in your bag' right away. King and Stevie Ray Vaughn... includes complete notes, guitar tablature and blues mp3 plackbaks for self study or to play as a band. Soloing Over Blues Progressions - A More Effective Approach Most guitarists are taught to play minor pentatonic or the flat 5 blues scale when soloing over a 1 4 5 blues progression. Our simple lick will help you develop this tricky technique. This specific double stop is a must to learn for every guitarist who wants to play blues as it is literally the most used double stop in the whole blues scene. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. guitar – Aberdeen by Della Mae YOUTUBE. From Robert Johnson and Elmore James to Derek Trucks, Gary Clark Jr and Dan Auerbach, slide has long been at the heart of blues. One of most popular Blues rock licks in history is the intro of Eric Clapton’s Layla. Considered by many to be the first electric guitar hero, Mike Bloomfield favored tangy bends like the one shown in FIGURE 9 in Don’t Throw Your Love on Me So Strong and I’ve Got a Mind to Give Up Living. Essential Blues Licks tabs, chords, guitar, bass, ukulele chords, power tabs and guitar pro tabs including 12 bar blues riff, lick 2, lick 8, lick 7, lick 6 One advanced and one intermediate. To play this lick you want to begin by bending the 7th fret of the third string up a whole step. The bends to the b5th (Eb) and the true blue note (between C and C#) establish a solid blues tonality. I want to play like that and slow blues is my favorite thing. Perform the slide with your index finger, nicking the dyad with your pinkie. When listening to the best blues guitarists you'll notice that there are several famous licks they use all of the time. Often recorded in educators’ home studios, these products present fresh educational concepts and effective teaching methodologies. In the next scale diagrams you can clearly see which notes from the tablature above belong to which corresponding parts of the minor and major pentatonic scale: When you learn licks, it is always very important that you don’t fall in the trap of just copying licks. The solo is over a jazz blues in F and is full of classic Wes licks and ideas that you can apply to your own playing. To finish off my top 5 blues guitar riffs, here is the classic T-Bone intro to ‘Stormy Monday’. “Steal” what you like, fr… B. B.B. King Box” (because he spent so much time there from the Sixties onward), contains the same scale degrees as the previous box but covers more of the fingerboard. Use your first finger to … This is about the easiest and most relevant way to do this. The two blues licks we analysed in this article are on the other hand perfect to use over dominant seven chords such as the ones used in a standard 12 bar blues. This particular example, with a root-4th (A–D) dyad thrown in, was used by the underrated Lonnie Mack in Down and Out. New York, View Lesson Description View Lesson We all know that playing Melodic Style is a great way to get fast and fancy banjo runs, but it gets even cooler when you use blues scales. 3 Minor Blues Licks. 3 (CD included) (Jazz… by … You have great sounding licks, the best sound, and playing technique. Okay, so that’s enough chit chat, let’s get started with these Licks. The mighty T-Bone cut heads in tunes like Strolling with Bones with this powerful diminished chord voicing, shown in FIGURE 11. B.B. Twenty fingerstyle blues licks that you can you can use to begin, end, and transition in your twelve bar blues playing. Take a listen for example to the style of Stevie Ray Vaughan who’s constantly using short cliché blues licks that are glued together to make it really big and powerful. Pulling out a couple of more traditional licks for the return to E in the next two bars allows a ringing, full sound. The first blues lick to learn on guitar is derived from the famous master blues guitarist Freddy King. B. Categories: Advanced, Banjo, Intermediate, Skills. 6 Killer Blues Licks (Key of E) This time, I’ve created a fun lesson for you who want to learn killer blues licks. This 4 DVD and 2 CD training program will really develop your scales We’re simply playing them in a row, as presented, with a few slight modifications in rhythm. Notice how at the end of this combination of pentatonic and blues scale, Slash uses pinch harmonics to give it a little more grit … Any listing of the great blues guitar licks would have to include its fair share of B.B. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. They are the foundation on which a solid house of blues is built. bass – walking bass lines for common chords. It’s important that you don’t start the lick right away on the first beat because it is syncopated. This lick is used a great deal by just about every blues and rock player. Enjoy the old-timey feel of these timeless masterpieces. Our first lick, FIGURE 4, is a striking opening phrase to be played over a I chord. This Version is just to help everyone with a couple licks they can use that sound great. Let’s check ’em out! Learning and assimilating the concepts behind these jazz guitar licks is a great way to improve your improvisational skills and expand your jazz vocabulary. Visit our corporate site. bass – Basic Bass Lines and Scales. C. Analysis Of The Famous Blues Lick’s Theory. How To Use Your Blues Licks During Improvisations. Spoonful is a blues song by Willie Dixon that was first recorded in 1960 by Howlin’ Wolf. Slash is known for having long phrases, so all of the licks seen here will be slightly larger than from the previous guitarists. This is the reason why the collection of these famous licks is a crucial aspect in your own development as a guitarist. In the key of A, the b5 is Eb, that note we’re grabbing at the fourth fret on the second string in this lick. This simply means that the accent lays in between the beats and you have to start the lick at the upbeat from beat one. Lick #5 – 1:51 – “Bona Massa” from Jay-P’s 30 Cutting-Edge Blues Licks For those willing to pay their dues and play the blues, these licks are a rite of passage and a continuous source of inspiration. guitar – 12 bar solo – 3 phrase style. Accurate intonation and a steady wide vibrato are paramount to make this bad boy sing. Example 2. More Details... 96 Rock Licks Ready to take the step from Rhythm to Lead Guitar? on countless tunes, including Please Love Me, and appropriated globally by blues merchants everywhere. Indie Courses are video course downloads produced independently from TrueFire. bass – Basic Bass Lines and Scales. The reason why blues music has such a unique sound lays in the fact that the tonality changes a lot from minor to major sounds. Let’s check ’em out! Future US, Inc. 11 West 42nd Street, 15th Floor, Lick #1 The first blues piano lick is two measures long and works over a single dominant chord. Prominently displayed in Crosscut Saw and Born Under a Bad Sign, it hovers and swoops like bird of prey. Melodic Style Blues Licks quantity. Play the root (A) with your ring finger, crossing over it with your middle finger to access the 5th. Learning and assimilating the concepts behind these jazz guitar licks is a great way to improve your improvisational skills and expand your jazz vocabulary. Depending on your current level of ability, you may or may not find these licks super-easy, but with a bit of practice they should provide a relatively achievable way of getting a bit of speed into your playing. Categories: Advanced, Banjo, Intermediate, Skills. Breaking free momentarily from the tyranny of the scale, FIGURE 8 purveys a sliding IV6-to-IV9 chord pattern beloved by the likes of Johnny Moore (who played with Charles Brown in the 1940s) and T-Bone Walker. Start with your index finger, switching to your ring finger for the full-step bend of the 5th (E) to the 6th (F#). This is particularly true of blues, a style loosely based upon musical cliches that … You can drop any of these 12 classic phrases into a blues-based progression and come out smiling. Plus, all the scales, blues boxes, licks, chord shapes and tunes in this lesson are written out in tab and music in the accompanying PDF book. B.B. Analysis Of The Famous Blues Lick’s Rhythm. The long A7 at the start sets the stage for the first bar, changing to A minor 7th in the second, introducing a bit of minor … FIGURE 16 presents a very straightforward take on our 12 licks. bass – walking bass lines for common chords. King and Stevie Ray Vaughn... includes complete notes, guitar tablature and blues mp3 plackbaks for self study or to play as a band. All great blues master guitarists use them in their own solos, so neglecting this aspect is a huge loss for anyone who tries to play blues guitar. Your solos just sound very "right" to my ears so when I learn your licks it's really something I can use. To give you an idea on how this method works, I’ll show you how to combine the two blues licks that we covered in this article. Tablature is therefore a very useful tool, nevertheless that learning licks purely from tab makes no sense at all. View Lesson Description View Lesson We all know that playing Melodic Style is a great way to get fast and fancy banjo runs, but it gets even cooler when you use blues scales. Additional songs include All the Love I Miss Loving, As the Years Go Passing By, How Long Blues, Hesitation Blues, Corrine Corrina and Stagerlee. played this one on Three O’Clock Blues, and it is entirely possible that Eric Clapton learned it from that breakthrough hit. In addition to this article I would recommend you to study my Guide on How To Play The Most Awesome Licks Over Any Blues Chord. Okay, so that’s enough chit chat, let’s get started with these Licks. The II-V7-I Progression: The Most Important Musical Sequence in Jazz, Vol. The DVDs, audio CD, and this book of written While learning blues guitar licks is an important step to take, you'll need more than this. B Analysis Of The Famous Blues Lick’s Technicality. guitar – 12 Bar Blues in E – with jazz chords. You must gain the knowledge of the scale where the lick is derived from. steps up to the plate once more with this lick (FIGURE 13) in a King’s Special vein. Slash is known for having long phrases, so all of the licks seen here will be slightly larger than from the previous guitarists. It is a great way to start a phrase, or a great way to extend a phrase with a new idea. Before we dive in, let’s take a look at three blues scale patterns that form the basis of our 12 licks. Spoonful is a blues song by Willie Dixon that was first recorded in 1960 by Howlin’ Wolf. King employed a lick like the one shown in FIGURE 5 in his track Sweet Little Angel from Live at the Regal. Let’s check ’em out! banjo – 3/4 Time Blues Licks. Indie Courses are video course downloads produced independently from TrueFire. The blues scale has all the same notes as the minor pentatonic scale – R, b3, 4, 5, b7 – with the b5 added. These 5 licks use only notes from the Minor Pentatonic, and incorporate string bending (as most blues licks do!) BLUES LICKS. In a solo you can use all these licks as a base, combining them and using additional notes. Luca’s licks really stood out and I really enjoyed learning them. This Rock Licks course comes complete with three DVDs, and an audio CD with ten full on audio jam tracks. By doing so you can make use of other types of dynamics into your guitar playing which aren't otherwise possible. Try doing the same yourself. Later on it was covered by Etta James and Harvey Fuqua as a duet , and it was popularized in the late 60s by the band Cream. Then, if you want to play that lick over C7, you have to move it to a C major blues scale position. As a reminder, these licks are only played over one chord at a time, compared to every chord in a blues with the minor blues scale. B.B. Take long licks, short licks, parts of a lick, glue one lick after another, etc. You will receive a verification email shortly. As an aspiring blues guitarist it is really important to create a 'bag of tricks' filled with guitar licks. The resulting dyad (A–C) provides the 5th and b7th of the IV chord, reinforcing its bluesy, dominant 7th flavor. Start with your ring finger, using it for the full-step bend and the repeat of the root (A). Analysis Of The Famous Blues Lick’s Technicality. Add to cart. While this "does the job" as far as creating that bluesy sound, there is a far more effective and expressive way of playing through blues changes. NY 10036. This page features 250+ classic jazz guitar licks, riffs, and patterns from the biggest names in jazz. In this video I’ll show you the complete process on how to combine short licks into one longer blues lick: On the tablature above you’ll notice both blues lick 1 and blues lick 2 that are merged together. This item: Vol. In this case you have to use a ‘glue’ in the form of extra notes to create a good end result. King-isms, and this one is no exception. You’ll find that doing this will strengthen your improvising skills and help to create your own unique sound on the guitar. Soloing Over Blues Progressions - A More Effective Approach Most guitarists are taught to play minor pentatonic or the flat 5 blues scale when soloing over a 1 4 5 blues progression. It’s based out of the blues scale but there are voodoo elements resolving to the major 3rd. In this free downloadable ebook on How To Play Licks Over Any Blues Chord you’ll learn exactly what to do when improvising over blues chords. To learn more minor blues scale riffs, check out Blues Guitar 101 – M ode Foundations. guitar – Aberdeen by Della Mae YOUTUBE. Luca has very kindly allowed me to post some of those licks here for you to learn. From Robert Johnson and Elmore James to Derek Trucks, Gary Clark Jr and Dan Auerbach, slide has long been at the heart of blues. It’s also a great idea to leave the guitar pick out once in a while and play with the fingers only. Most of them are simple, and easy to use in a wide range of musical situations – rock, blues, alternative, country, you name it. Low to high, use your index, ring, middle and pinkie fingers on this chord, and don’t ignore that quarter-step bend. The solo is over a jazz blues in F and is full of classic Wes licks and ideas that you can apply to your own playing. Take long licks, short licks, parts of a lick, glue one lick after another, etc. The bend of the b7th (G) to the root (A) should be executed with the pinkie, backed up by the ring, middle and index fingers. guitar – 12 bar solo – 3 phrase style. They're all very very common licks that you'll find most blues players using, so you want to 'put these in your bag' right … banjo – 3/4 Time Blues Licks. This means that if you have a G major blues scale lick, you use that over a G7 chord in a blues solo. The Evolution of Modern Blues 30 lessons from Artur Menezes. FIGURE 7 is the classic Albert King lick. These licks can be used in a variety of styles of playing – blues, boogie woogie, jazz, rock, country, etc. All of the licks that we’ll look at here will be presented in the context of an A major blues. The bends to the b5th (Eb) and the b7th (G) tantalize our auditory nerves before resolving smoothly to the 4th (D), which is the root of the IV chord. 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